Andy Warhol Made a Lot of Art Work

The author explains how Andy Warhol’s life was. Andy Warhol was a painter, commercial designer, publisher, printmaker and filmmaker. Andy became a graphic designer in 1950 then moved to New York to work in Vogue magazine. He won many awards for his designs. In 1960, the year Warhol began to paint, he created groundbreaking works of pop art, a movement that had originated in England in the early 1950s. Fifth Avenue displayed enlargements of his paintings of the Dick Tracy comic strip in 1961.

It was interesting how he used Marilyn Monroe as a design in several silk-screened works, including Gold Marilyn Monroe in 1962 which was held at the Museum of Modern Art [MOMA] in New York City. Because of his work with Marilyn Monroe, a lot of celebrities became a major theme in Warhol’s works. Throughout the rest of the 1960s and the 1970s, he created images of athletes, politicians, and entertainers such as Chairman Mao Zedong, Elvis Presley, Elizabeth Taylor, Troy Donahue and Jackie Kennedy Onassis. Warhol died of complications after a fairly routine operation on February 22, 1987.

Andy Warhol made a lot of art work. By the 1960s, the New York workmanship world was stuck, the simple unique and well known canvases of the Abstract Expressionist of the 1940s and ’50s have progressed toward becoming cliché. Warhol was one of the craftsmen that wanted to bring back symbolism into his work. In Gold Marilyn Monroe, Warhol further plays on the possibility of a symbol, putting Marilyn’s face on an expansive brilliant hued foundation. The foundation is reminiscent of Byzantine religious symbols that are the focal concentration in Orthodox beliefs right up ’til the present time.

One of art pieces were the Brillo boxes. Warhol gave the watcher correct reproductions of ordinarily utilized items found in homes and general stores. This time, his specialty pieces are stackable, they are figures that can be masterminded in different routes in the exhibition – yet each container is the very same, one isn’t any superior to another. Andy Warhol had very interesting pieces of art work that were caught many people’s attention.

It was said that Andy Warhol was the pop artist known to many in the general public for saying that at some point everyone will be famous for fifteen minutes. Warhol went from being a timid artist from Pennsylvania who upheld himself in promoting to the showy enfant horrible of pop workmanship and the cutting edge craftsmanship scene in New York. He utilized Brillo boxes, Campbell’s Soup jars and photos of motion picture stars like Marilyn Monroe. He basically promoted himself as a self-made artist.

He experimented with a film named Sleep in 1963. This film was an eight-hour-long movie of a man sleeping—and other creations. He also became the manager of the rock group the Velvet Underground, which was disliked at the time yet demonstrated exceptionally persuasive in the next decades. Warhol’s work has always been controversial, both technique and content. Spoilers guarantee he was more of a con artist than an artist which I think was interesting, while his supporters adulate his work as both a scrutinize and an affirmation of mainstream culture and the association among cash and art.

According to David Bourdon, Andy Warhol is one of the most important and influential artists of the 20th century. He is known especially for his silkscreened paintings and experimental films but also for the innovative and controversial ways in which he merged the worlds of art and commerce. Warhol moved to New York, where he established himself as a successful commercial artist, producing illustrations for clients primarily in the fashion industry. Although he had small gallery exhibitions in the 1950s with works not unlike his commercial output, Warhol began producing paintings in 1960 based on consumer goods (such as Campbell’s soup cans) and other mass media sources (such as newspaper front pages) that were widely viewed as a reaction against the seriousness, existential drama, and machismo attached to abstract expressionism.

Alongside artists such as Roy Lichtenstein and James Rosenquist, Warhol was soon considered to be one of the leaders of what came to be known as pop art. He produced many portraits of celebrities such as Marilyn Monroe and canvasses based on press images of suicides and car accidents, only solidified this image. By the mid-1960s, Warhol had turned his attention to experimental filmmaking; his works included Empire, an eight-hour static portrait of the Empire State Building from 1964.  In his final decade, he produced a diverse body of paintings, which continued his interest in subjects drawn from popular culture, even as Warhol became more explicit in addressing questions of abstraction in painting.

Andy Warhol was a prolific filmmaker who made hundreds of films, many of them—Sleep, Empire, Blow Job, The Chelsea Girls, and Blue Movie—seminal but misunderstood contributions to the history of American cinema. J.J. Murphy discusses Warhol’s early films, sound portraits, involvement with multimedia (including The Velvet Underground), and sexploitation films, as well as the more commercial works he produced for Paul Morrissey in the late 1960s and early 1970s.