Christmas Carol Review

A Christmas Carol was written in 1843, and it touched readers’ hearts then and continues to do so today, although now it is not just through the written word but through stage and film adaptations, audio versions via CD and radio. Many people know the story of how a miserable man – Scrooge – who did not have any feelings of humanity or kindness towards others was shown the error of his ways by the Ghosts of Christmas and by the end of the story not only is filled with the spirit of Christmas Goodwill but became a better human being altogether.

First of all let’s start with a Trivial pursuit question! How many ghosts are there in A Christmas Carol? Most people answer three: The Ghosts of Christmas past, Christmas present and Christmas future/yet to come. However the ‘official’ answer in quizzes is four – including Marley of course. But when Marley leaves and Scrooge looks out of the window he sees many ‘spectres’ outside. And don’t forget the ghostly hearse going up the stairs as Scrooge enters his house!

Although nowadays we think of a ‘carol’ as being a Christmas song, the definition of the word is a song of joy or praise. So the title A Christmas Carol must signify a joyful song about Christmas or the Christmas ideal. By the end of the story this certainly becomes true. The ‘Carol’ imagery is carried on throughout the story, with staves used instead of chapter headings. This was definately an interesting/unusual literary device for the time. [Something that Dickens’ friend Wilkie Collins – and other authors in other ways – would later do in a different way by laying out one of his novels like a play in ‘Acts’] But almost revolutionary for an author like Dickens to do this in 1843.

Sounds somewhat like a candle which at the end their ‘trip’ together Scrooge snuffs out. It was a Christmas custom to light a candle on Christmas eve. This Spirit shows the reader the reason for Scrooge’s actions but does not excuse him

A representation of Father Christmas*. Victorian Father Christmases were dressed in any colour robes. This ghost shows Scrooge what he is missing by his actions but also offers a warning in the shape of the two children: Ignorance and Want – Dickens’ warning about the effects of the squalid conditions of the Industrial Revolution and exploitation of labour could have on the very poor. An awful warning and also reminiscent of Old Father Time. And in fact he foretells Scrooge’s unmourned and lonely death unless he mends his ways.

There are a lot of Dickens’ autobiographical details in the story. Because the young Dickens experienced so much hardship and poverty during his early life, his writing about social inequalities is often based on his own past. It could be that the Cratchit’s house is modelled on the small house at 16 Bayham Street in Camden Town where Dickens lived at the age of ten and the six Cratchit children mirror Dickens’ brothers and sisters – Tiny Tim may be based on Dickens’ youngest, poorly brother who was known as “Tiny Fred”’. Dickens was a pupil at Wellington House Academy, Hampstead Road, London which may be the model for the school Scrooge went to. It is set in a little market-town . . . with the bridge, its church, and winding river.

Johnson in “About ‘A Christmas Carol’” (Dickensian 1931) identifies this description as referring to Strood, Rochester, and the river Medway, where Dickens spent part of his childhood. Johnson also noted that Dickens erased the word “castle” from the original manuscript, an apparent reference to Rochester Castle. [Michael Patrick Hearn, The Annotated Christmas Carol, 88] Like Scrooge, Dickens had a sister called Fan[ny]

The women in A Christmas Carol are unusual for Dickens, who often had a ‘silly’ woman in his novels who probably represented his mother, Elizabeth Dickens – think of Mrs Nickleby, Dora Copperfield, Bleak House etc although these are often balanced by a strong woman like Agnes Copperfield, Betsy Trotwood etc. But in A Christmas Carol the woman are quite pro-active: Fan, Belle, Mrs Cratchit all speak up for themselves. Even the laundress and the cleaning women have a certain something! Victorian readers would have picked up ‘hints’ about the ‘interesting condition’ of Mrs Fred:

‘Scrooge’s niece was not one of the blind–man’s buff party, but was made comfortable with a large chair and a footstool’ and ‘Dear heart alive, how his niece by marriage started. Scrooge had forgotten, for the moment, about her sitting in the corner with the footstool, or he wouldn’t have done it, on any account.’

The children in A Christmas Carol are more typical of the ‘Dickens’ type of child’, although like Rose in Oliver Twist, Tiny Tim does not die. However Tim is like many ‘too good to be true’ children in Dickens novels who do usually die: Paul Dombey, Little Nell. Tim is rather like Oliver Twist in that he seems to have an almost angelic streak. Dickens is playing up to the Victorian ‘ideal’ that children were born good or bad, and Tim – again like Oliver Twist and Paul Dombey – seems to have been born able to spout words of pious wisdom!

Bear with me here, because I am going to talk about another little quirk of mine: Evidence of Time Travel in the story! The chronology of the story does not ‘work’ if we try to be sensible! Scrooge and Marley don’t part until 2 o’clock on Christmas morning and the first Ghost is not ‘due’ until one o’clock the next day [Boxing Day], the second at one o’clock on the 27th and the third at midnight on the 28th.